![]() ![]() Russian lenses are well constructed and not worse than recent plastic models. ![]() Its production was stopped in early 90s, but the lens has found recognition among contemporary photographers. Product Identifiers BrandHelios MPNHELOIS442F2.0PENTAXZENIT Model44-2 eBay Product ID (ePID)114209170 Product Key Features Camera TypeSLR Focal Length58mm Maximum Aperturef/2 Focus TypeManual Focal Length TypeFixed/Prime Dimensions Weight31.74oz. Helios 44-2 lens is a classic 58mm lens that was produced as the kit prime on the Zenit-series russian SLR. Because of its adaptability, one-of-a-kind bokeh effects, and high focal aperture, the Helios 44-2 is a fine camera lens for producing photos with unique effects. Focal length varies a little in this 58 mm f/2.0 lens from 58-60 mm. The aperture of this Helios camera lens for Zenit/Pentax is manually adjusted via the aperture ring. High focal apertures yield pictures with detail finer than what is perceived with the human eye. Avid 50mm shooters may be a little put off by how long this lens is, and die-hard 35mm and 40mm street shooters might find this lens much too narrow for their purposes. The Helios 44-2 features a maximum focal aperture of f/2.0. The Helios’ 58mm focal length is at the longest end of the definition of the 35mm standard, which ranges anywhere from 35mm to 60mm. It attaches to traditional, 35-mm cameras via the M42 x 1 thread. Though it was made in the early 1990s, this 58 mm f/2.0 lens is compatible with many DSLR cameras with an adapter. Lens construction within this Helios camera lens for Zenit/Pentax is six elements in four groups. It seems that you need some decent distance from your subject, and you need some background that can fall into swirly bokeh in the distance.Product Information For photography lovers looking for a camera lens that captures clear foreground images while providing unique and beautiful bokeh affects, the Helios 44-2 is worth considering. I took another shot with a subject at mid range, perhaps 4-5 feet away while still shooting wide open at f/2.Ĭan you start to see the swirl shape in the background? This photo showed me I’m getting closer. It isn’t swirly bokeh yet, but it definitely has more shape to it. Its quite sharp in the middle wide open, but (probably due to the contrast differnce) doesnt seem as sharp as the biotar. I aimed up at a leaf that was a little further away, still shooting wide open at f/2. The Helios has much nicer softer bokeh which still induces a swirl with the right background elements, but isnt quite so busy and distracting as the biotar. This image was shot up close which caused the background to blur too much for the swirl I was looking for. When you shoot wide open at f/,2 close up to the subject, the background is a beautiful, buttery, soft bokeh. I took the lens into my in-laws yard to find out how best to find the swirly spot. It arrived the day before we left so it was ready to go right away. After a quick test shoot I decided I was going to shoot this Helios 58mm 44-2 exclusively for the entire trip. I bought the lens right before a two-week trip to St. This unfocused image shows the popular swirly bokeh effect See here what Iron Glass writes about this lens: Helios 44-2 58mm F2 is a legendary lens, but its about. In the end, it’s worth saying that Helios 44-2 58mm is probably the cheapest F/2 lens even with all its drawbacks, which could be compensated in Photoshop later on. Well, this “defect” looked really cool to me and I wanted to incorporate it into my lens collection. It features a metallic 0.8 gear for focus and aperture. I did some quick digging and found out this was called “swirly bokeh” and certain vintage lenses created this effect through a manufacturing defect. It was awesome and unlike anything I had ever seen! I was looking through photos on Flickr and noticed a few images in which the bokeh appeared to be swirling in a circular pattern. I really enjoy having big apertures available for low light so I started looking for another prime lens. ![]() It’s a great lens but after taking it out a few times, I concluded it wasn’t for me. The 24-70mm and adapter are super heavy and ridiculously front-heavy. The 55mm shoots like a dream and is insanely light-weight. I started off with a Sony 55mm f/1.8 and a 24-70mm f/2.8 lens that requires a Sony adapter. You can see how I used it in my last article: when to trick your camera for the perfect exposure. A friend convinced me that having small-form, full frame camera would be an entire different way of shooting. I recently bought a Sony A7 to compliment my Canon 6D DSLR. ![]()
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